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Artway 12 High Pigment White Half Pans - for Travel & Studio Watercolour Sets

£4.99 (Inc. vat)
£4.16 (Ex. vat)

£4.99 (Inc. vat)
£4.16 (Ex. vat)
Free delivery on orders over £50
Order now to get it between Jul 15 and Jul 16 (estimated delivery times)

Core Features

  • High-pigment and opaque, strong enough for crisp highlights on snow, eyes, florals and reflections, and easily thinned for soft, milky tints. This is white doing real work, not a chalky afterthought.
  • A full pack of 12 white half pans, sized to refill your Artway travel or studio watercolour set. Drop them straight into the empty white wells and your palette is complete again, with plenty spare.
  • Ready to use and quick to re-wet. A touch of a wet brush lifts clean, consistent colour every time, whether the pans have sat in a studio drawer or travelled in a bag.
  • Standard half-pan size, so they fit your Artway set and most standard watercolour tins and palettes. Top up, rearrange or build a white-heavy palette to suit how you work. It's worth a quick check against your own tin first.
  • Twelve pans go a long way. White is the first colour most painters run down, so a set of twelve gives one artist months of topping up, or enough to share across a class or workshop table.

45% Wholesale Discount

Spend £200 on any product combination and automatically get a 45% discount at checkout!

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Delivery & Returns:

Delivery to Mainland UK

Orders over £50 - Free Tracked 1-2 Working Days
Orders under £50 - £4.99 Tracked 1-2 Working Days

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Description

White is the colour that always runs out first. It goes into every highlight, every tint and every correction, so the pan in your set runs dry long before the rest. This pack puts a full stock back within reach: twelve standard half pans that drop straight into your Artway travel or studio watercolour set, or into most standard tins and palettes.

The white itself is high-pigment and opaque, with the coverage you want for a snow-lit highlight, the glint in an eye, or a wash pulled back to a soft, milky tint. A quick touch of a wet brush lifts it clean and consistent, whether it's been sitting in a drawer or rattling around a rucksack.

Best for painters who get through white faster than anything else, and for teachers and workshop leaders who need enough to go round.


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