Collagraph is a more experimental printmaking technique compared to lino printing. A versatile process where you create a textured collaged surface by applying papers, fabrics and natural materials like leaves to make a design. With collagraphs you can either print using a relief or intaglio technique, for this beginners 'how to' we are going to use a relief technique where take a print from the raised surface.

Equipment

• Grey Board - Foundation support to create collagraph. Absorbency and flexibility will hinder the ability to produce consistent and multiple copies of the same images, with each print having its own unique character
• Artway Inking Tray - to roll ink out
• Artway Brayer Roller - for applying ink to the surface
• Printing Ink 
• Artway PVA glue - to apply materials with and to seal the collagraph surface
• Brush - for applying PVA and ink to the collagraph
• Paper - we suggest a heavy weight paper mix media paper like the ARTWAY Flat White Multi-Arte 250gsm recycled paper

The Artway Printmaking kit contains everything you would need for this technique plus more!

Process

• Get ready to experiment - gather a range of flat surfaces and textures to apply to your greyboard as a collage - these might include random paper samples; natural items such as leaves for shape and texture; cloths; net curtain strips; fine string/cotton; bubblewrap etc. … whatever might be lying around!

• Additional tools and materials - a sharp tool to mark and scrape away the greyboard surface; tapes (masking/gummed/clear…) to add texture/edges and help bind materials; spray glue might be useful for more delicate items

• Start - it’s not necessary to have an end design in mind at this stage - experiment first - this knowledge can be refined with subsequent prints. Randomly mark and gouge the card surface together with sticking some of your collected items to the greyboard building up a range of surface shapes, marks and textures

TIP - Initially keep the surface quite simple with a shallow depth - if surfaces are too pronounced this will affect the ability of the ink to adhere to your final printed sheet

• Seal the surface - apply PVA glue to seal and bind the surface as you go - make sure gaps are covered and the surface is dry before adding further layers. When happy with your range of surfaces add a final seal and allow to dry thoroughly (overnight)

• Prepare your paper - immerse your paper for printing in water for a short period before removing and blotting (with a tea towel) to remove any surplus water - the paper should be damp but not wet

• Ink the Collagraph - add some ink to the inking tray and, with a roller or brush, cover the board with a layer of ink - add some ink to the inking tray and, with a roller or brush, cover the board with a layer of ink

• Take a print - working on a flat base gently place your prepared sheet of paper over the collagraph board. For best results press down on the back of the paper with your hand applying even pressure across all areas

• Peel away the paper - pick up a corner of the paper and in one smooth motion peel away from the design taking care not to smudge or drag it as you go. Allow to dry

• Have some fun - if you like the image repeat the process for a fainter production or add/remove surfaces as desired before inking once more. Scoring back into the surface with a sharp tool for additional marks/textures is also a possibility

• Lifespan - greyboard is considerably less resilient than lino/polymer which ultimately reduces the life span of the collagraph